Maybe it's America's
puritan roots, maybe it's students' experiences with writing in school, but
"pleasure" and "rhetoric" seem odd bedfellows. This was not
always so. In fact, the ancient Greeks were incredibly attuned to the potential
of words to act as "bearers of pleasure and banishers of pain" and to
make an enraptured audience file away from a speech feeling "as if
ravished by the force of the mighty" (Gorgias). In T. R. Johnson's slim
but ambitious book, he argues that introducing our students to the word-magic
of the old masters can both improve their writing and change how they
approach it--from a dreadful chore to a delightful craft.
Johnson's book is
primarily addressed to composition instructors at the university level, and
much of it is devoted to laying the theoretical justifications in favor of the
"renegade" pleasure-based rhetoric he espouses. So one of Johnson's
aims is to heal a longstanding rift in the world of writing instruction between
expressivists like Peter Elbow and social constructionists like Joseph Harris.
His other objective, also therapeutic but focused on alleviating students' pain
in the writing process, will speak directly to writing teachers whose
concerns are more particular--how to help students recast sentences in ways
that have been proven to be powerful.
This latter audience
will find the book's appendix extraordinarily helpful since it lays out exactly
how Johnson goes about "teaching this stuff." It is like a toolkit of
ancient rhetorical devices and a detailed instruction manual on how students
can use them. In many cases, students will recognize these figures and
flourishes of speech but be shocked at their diversity, flexibility, and
utility. Everywhere the focus is on using these tools in writing. Johnson
doesn't care if a kid knows how to pronounce or spell epixeuxis or
asyndeton, metonymy or synecdoche. To paraphrase a memorable
use of chiasmus, Johnson wants us to Ask not what our students can do for us,
but what we (and the ancient Greeks) can do for our students.

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